A Supreme Disappointment: When the Supremes Met the Beatles
When Detroit’s top-of-the charts the Supremes met Liverpool’s top-of-the-world the Beatles in 1965, the awkward silence was deafening.
When Detroit’s top-of-the charts the Supremes met Liverpool’s top-of-the-world the Beatles in 1965, the awkward silence was deafening.
The B-52’s often get relegated as a “party-pop” outfit, but their subversive legacy runs deeper and stranger than any casual fan would know.
From coded BDSM references to vivid homoerotic imagery, Rob Halford’s lyrics formed a complex, emotionally charged expression of queerness under societal pressure.
One Way Home doesn’t revolutionize childhood horror; it’s part of the evolution of a subgenre that continues to find new ways to explore familiar fears.
Cruising, once denounced as homophobic pulp, is now being reassessed as a daring exploration of performance, identity, and the psychic costs of repression.
From the politically charged lyrics of Znous to the atmospheric post-metal soundscapes of Chaos Doctrine, African metal bands are blowing minds in the global metal scene.
Sitcoms Corner Gas and Trailer Park Boys form a double helix of Canadian self-image: the mask and the mirror.
In popular music—ranging from the blues and jazz to country, hip-hop, and beyond—longing has occupied a substantial portion of thematic space.
Fitz-James O’Brien’s exuberantly morbid stories, set amongst mid-century New York’s boarding houses and alleyways, are works of comic skepticism and cosmic messiness.
As the 1980s dawned and punk began to morph into new wave, many established artists altered their style to reach new audiences. We look at 20 of them.
Nirvana’s Kurt Cobain despised rock music’s posturing machismo, mocked its fundamental assumptions, and then utterly destroyed the genre.
By adopting a new persona, Natalia Lafourcade delves deeper into her folkloric sonic landscape, uncovering new perspectives along the way.